Hello, you may know me from DD posts about IVZ and 3DP. I'm still heavily in these. But today I bring you SBW.
Ok for real, this might be the laziest DD you've read because it was copy pasted direct from hotcopper. But it will also be the best DD you've read (no offence to
u/bigjimbeef recent DD on this but he's always drunk and while his DD did get me interested in this, I think maybe some people didn't take his post seriously because the post read like he had a beer in one hand and his dick in the other).
But I've been thinking lately... wouldn't it be nice if I could, for once, jump on a stock, before it rockets? Like... Every stock I've been in so far has holders who are already 10 bagging. How do they find these stocks and how can I become one of them?
Well, here is your chance. Full disclosure, I'm in at 26.5c, closing price today is 24.5c. It IPOd at 35c so we are still at bargain prices. No rocket yet. If you can think of a reason not to buy, please say so, before I take a larger position tmw morning, as I am trying to keep myself from getting overly keen on yet another stock but so far I can't find a good reason to put money anywhere else.
Copy pasta below:
I thought it was about time that I made the “Ultimate Guide to SBW” and consolidated months of research and analysis into one comprehensive post. Then we can add bits to it from there as more positive news develops.
Let us start with capital structure.
Capital Structure and Why This Is Important!
There are currently 139 million shares on issue, sitting at a price of 32 cents.
This gives a Market Capitalization of approximately ~45 million AUD.
Keep this in mind when we discuss partners and peers later - it’s arguably a more important metric than share price.
The Top 20 shareholders of SBW (which includes key management as the Top 2 holders) have about 90% of the stock on issue. The interests of management are well-aligned with shareholders.
What does this mean in plain English? It means management are extremely incentivized to perform, and are not just idly sitting by collecting an easy paycheck like so many other ASX companies. They have as much at stake as you do! Probably more.
The Core Business
The core business is a profitable operation which has been selling weighing systems to both retail and healthcare sectors – with reliable recurring revenue from customers including, but not limited to, household names like Toshiba and Fujitsu.
SBW have a combination of weighing + artificial intelligence + advanced mathematics which cannot be easily duplicated. The company was first founded in 1971 and was one of the first to shift from mechanical to digital weighing and ultra-thin IoT load sensors.
If you are interested in reading up on some of their patents, please see this link:
https://patents.justia.com/search?q=Shekel scales
I found 11 separate patents here, which are probably not an exhaustive list, but ranging from weighing vehicles in motion, to load cell devices (this is the flagship technology), point of sale apparatus and infant weight systems (for their medical customers)
SBW's three main technology pillars, including patented ultra-thin high precision load sensors, can distinguish between Coke, Fanta & Pepsi - even if they are all in 1.5 litre bottles!
The Hitachi Project (Hitachi’s Market Cap = roughly ~33 billion USD at time of writing, SBW = ~45 million AUD)
http://hlds.co.jp/product-eng/1079 [Translated from Japanese] Hitachi-LG Data Storage. Inc. exhibited in “NRF 2020 Retail’s Big Show” which took place at Jacob K. Javits Convention Center in New York from 1/12-1/14/2020, where Unmanned Store solution using 3D LiDAR(TOF) was jointly exhibited with Hitachi America, Hitachi Vantara, and Shekel Brainweigh (Israel).
Some quotes I found from Hitachi themselves
“Micro-markets are the fastest growing segment of convenience shopping. We see them exploding in high traffic areas, such as workplaces, campuses, train stations and airports,” said Hideki Hayashi, Sales and Marketing Manager, Hitachi EU Ltd.
“Deploying the joint Shekel-Hitachi solution enables retailers and micro-market operators to provide the 24/7 frictionless shopping experience consumers demand without sacrificing accuracy, performance or profitability.”
“As the manager responsible for LiDAR products in EMEA markets, I consider the R&D and commercial collaboration with Shekel Brainweigh to be the perfect partnership as we both bring our respective capabilities to develop a seamless consumer shopping experience. We are extremely pleased to collaborate with Shekel Brainweigh, which we believe is the best digital weighing technology developer globally."
“The collaboration builds on our expertise in optical motion sensors, together with Shekel’s advanced Product Aware Technology, and further strengthens our commitment to overcome the challenges, and address the significant opportunities, in global retail store automation.”
https://www.youtube.com/watch?v=P-uxk2Ycoqw The Open Retail Initiative
https://www.lfedge.org/2020/02/13/n...ensor-fusion-for-intelligent-loss-prevention/ For the one-year anniversary of ORI, six initiative members Edgify, Flooid, Shekel and LF Edge members HP, IOTech and Intel inspired by the initiative, worked together on a demo for the Intel booth that showcased the value of Real Time Sensor Fusion for a loss prevention use case at self-checkout. The retail environment has become incredibly complex. The latest technologies enable data-driven experiences and unlock business value like never before, yet there is still a lack of interoperability making it difficult for retailers to deploy integrated solutions with speed and ease. The demo illustrates how integration roadblocks can be a thing of the past.
The demo pulls together real time data through the EdgeX middleware from different common systems including POS real-time transaction log, CV-based object detection, scale solution, and RFID, and data fusion—all in a single pane of glass.
Here are some PowerPoint slides of IBM, Intel & Hewlett-Packard talking about the joint solution
https://wiki.edgexfoundry.org/downl...amp;modificationDate=1579904283000&api=v2 The Fast Track Project
https://www.edgify.ai/retail/ Reduce time at till and selection at self-checkout by up to 98%. Computer vision-based product recognition, that continuously learns directly on the till, so the accuracy of the detection always increases.
Friction-less stores are great in theory but extremely complicated to scale in practice. Our edge training solution makes autonomous stores scalable, by having all the AI train directly on the camera. No infrastructure costs and no added complications.
Reduce incorrect selections by up to 90%. Either intentional or unintentional, use computer vision that is trained directly on the SCO itself to reduce loss by more than half!
No barcodes, no packaging, no worries. Simple USB cameras can detect the produce at close to 100% accuracy. Use as a decision support for cashiers, or to avoid consumers having to go through long and confusing menus.
https://www.edgify.ai/wp-content/uploads/2019/08/Retail_Intro.pdf https://twitter.com/Edgify_AI/status/1277859718413930505 https://twitter.com/Edgify_AI/status/1230534216133332997 Shekel’s Visual Recognition Platform embedded with Edgify’s machine-learning training framework is the world’s first cloudless software that automatically recognises products, including fresh produce, at a retail self-checkout.
This ~45 million AUD Market Cap company allows retailers to potentially bypass expensive cloud services from Microsoft, Google and Amazon.
Sending data to the cloud is a very costly process with the Google Cloud Platform charging 1,000 stores more than US$7.2 million in cloud computing power per annum.
https://www.youtube.com/watch?v=FrpZ56IdFtg https://www.youtube.com/watch?v=lpqwqQ1tJ4A You can see the Shekel system 35 seconds in.
Patnership with Madix (2nd Largest Retail Shelves Manufacturer in NA)
https://www.bloomberg.com/press-rel...ade-product-aware-cabinets-to-retail-industry NEW YORK -- January 13, 2020
Madix Inc., the second largest retail shelves manufacturer in North America, and Shekel Brainweigh Ltd. (ASX: SBW), the leader in advanced weighing technology, today announced the availability of ready-made Product Aware shelves and solutions for the retail industry.
“By seamlessly integrating Product Aware shelves into our hardware, our customers are armed with accessible data giving them reliable inventory visibility and assisting them in addressing over-stock and out-of-stock problems, as well as better control over shrinkage” said Steve Kramer, VP Sales, Madix.
“For the retail industry, this is a defined competitive edge that promotes the opportunity to increase profitability.”
Conclusion
So, remember - the core scales business is what drives the revenue we see today, but the innovation division is where the real potential resides. That will take a few more months/years to play out. I think most people are buying for the fully autonomous frictionless retail technology which comes with a huge addressable market. That’s still being undervalued in my humble opinion.
Considering there are quite a few ASX-listed tech companies with no revenue and over 100 million market cap (some even @ 1 billion market cap right now…
I don’t see why SBW couldn’t move past ~45m market cap in the near future.
Now if you read all this - links included- I commend you for your diligence. It should be obvious now that the Capsule (in partnership with Hitachi) is the “crown jewel” or “holy grail” of retail disruption technology plays (look at the success of Amazon GO for example).
So you are probably thinking: "This sounds great @verce but it’s all just aspirational and hypothetical. When will it be put into operation?" Well I’m glad you asked. The answer might surprise you. And it may be sooner than you think.
The SBW Half Year Report from 31 August 2020 had a little snippet that I think a lot of people missed. Specifically, the following text:
“Flagship micro-market project Capsule is in an advanced stage of pilot in Europe, and expected to be open to the public for trial in the second half of 2020.”
Now you are probably wondering: "That’s great but what if it’s just some obscure insignificant corner store somewhere?" Again, the answer may surprise you, and requires a little digging.
Enter Groupe Casino. A historic player in French retailing since 1898, the Casino Group is one of the world leaders in food retailing with more than 12,200 stores worldwide, located in France, Latin America and the Indian Ocean and a turnover of 37.8 billion euro.
In their Annual Report this year, they mentioned an exciting new disruptive project they were working on with a relatively obscure company.
https://www.groupe-casino.fwp-content/uploads/2020/06/RapportActivite_Casino_2019_EN.pdf And we have some commentary from SBW featured on Page 42-43 of their Annual Report plugging "the first fully autonomous store in Europe". I'll leave it to readers to determine the significance of being mentioned in the Annual Report of a leading mass-market retail group with billions of Euro in revenue.
The same group who claim to be the source of many innovations such as the first distributor's brand in 1901, the first self-service store in 1948 or even the display of a sell-by date on consumer products in 1959. They are always pushing the boundaries of innovation, and it's an exciting partner to have.
It’s also worth keeping in mind that issuing shares are not the only mechanism by which to raise money. And that a placement at a premium to a sophisticated cornerstone investor can yield great results. Kind of like what happened with 3DP and IHR.
If I was them, I’d be asking Hitachi to chip in.
SBW also have the luxury of generating enough revenue (we are talking USD millions) in 2H20 from the core scales division, that a capital raising may not actually be necessary at this point in time. So they can wait for a better outcome.
Source: “Post 30 June 2020, the business has seen a resurgence of orders for Shekel’s products, resulting in July 2020 sales exceeding July 2019 sales by approximately 18%.”
The final thing I would like to add (if you have in fact read my other two posts which are worth reading) is coming to an appropriate valuation. This is the tricky part, especially with microcap stocks which are valued on their future potential.
We do know that there are medium to high barriers to entry, and that SBW have accumulated a competitive edge with their technology iterated over several decades, with certain patents in place.
We also know that the opportunity is global in scope with a huge total addressable market (TAM) - and that traditional retail is ripe for disruption.
Remember when there were more human checkout lanes at supermarkets than self-checkout? Now it's the other way around. We are even starting to see self-checkout in Bunnings. The trend for autonomous and friction-less shopping - what some term "Grab & Go" - was inevitable. And coronavirus has only accelerated this trend.
https://www.ibtimes.com/5-tech-tren...-end-year-result-coronavirus-pandemic-3011819 5 Tech Trends Expected To Shape Retail Through The End Of The Year As Result Of The Coronavirus Pandemic
“Retailers and brands will need to collaborate more than ever with technology startups to futureproof their businesses and be better equipped to meet fast-changing consumer demand and behavior,” Coresight said.
Coresight reported the pandemic has piqued consumer interest in cashierless models.
Technology firm Shekel Brainweigh said 87% of respondents to its global consumer survey indicated they would choose stores with self-checkout over those with only cashier lines.
So if you ask me, when you consider all the different technology projects SBW are working on - most of which we now know are "close to commercialisation*" - is 45m AUD market cap really fair value for something that has the potential to roll out globally? I personally think it is still undervalued, but the market will eventually decide one way or the other.
Even at 70 cents per share, the implied market cap with only 139 million shares on issue is about ~97 million AUD. Which is still less than 100m. And still quite low when you compare SBW's proven technology and revenue to a lot of unproven technology companies with no real customers whatsoever. And extremely low when you compare SBW's market cap to their collaborative partner Hitachi (ranked 38th in the 2012 Fortune Global 500).
Even at 32 cents as it currently stands, we are still below the IPO price when SBW first listed at 35 cents per share. How does that make any sense?
[UNEDITED]
I saw that many of you non-swedes wanted to be able to enjoy the recent interview he did in Swedish. I have not had time to edit the text yet so it will be filled with spelling mistakes and such but if I have time later on I might fix that. The interviewer is called Mats Nileskär and he alternates between asking questions and explaining stuff so that's why sometimes it's just him retelling things that lean said earlier. Anyways here is the transcript:
Mats: There was once a sixteenyearold full of love for screw, drill and Florida trap. Full of fascination for fantasy figures and the cinematic. He rapped honest, drowsy, tentatively and almost apathetic to strange, mind expanding beats. Music that didnt exist in reality. Yung leans journey from his laptop in his room in Södermalm, to sold out shows and rock star dreams in the country of Hip Hop. It is one of the most beautiful stories in the history of Swedish music. And like all beautiful stories it holds plentiful of darkness. Yung Lean could have ruined everything and been scarified on the emo rap scene. Instead he became the influential survivor. Yung Lean and the producer friends in Sad Boys changed the world and intertwined with something beyond their own existence.
Lean: I usually don’t sit and count who my influences are. Because I have always had a lot of my own influences that I have payed homage to. But sometimes I don’t think about stuff and then I get a dm on Instagram. Like I got a dm from Trippie Redd that read like “Shoutout to one of my biggest influences.”
Music break Ugly God. Like lots of rappers that I wouldn’t think were fans of me. Then there are these that are a bit more obvious like maybe suicide boys, Pouya. When they meet me at festivals, they are fans. And I don’t want to come off as bragging, it is the same way when, like I met young thug once in New York, and then I get star struck, I am a fan of him, nothing weird about that. But there is like, you know, group from group, it goes back. If you look at Wu Tang, and then it goes down, it gets weirder, like Odd Future and Asap Mob. And when we started, there was probably more people that thought like, like Yung Sherman, Yung Gud, Bladee, and all in Drain Gang and Sad boys and this is what we look like, we can also do this. I think we made it even more easy to access. And even more like, you only need a computer and internet. And less of, like maybe you don’t even have to skate, maybe you don’t even have to live in New York. More of like, you have a concept, and we were strict with that concept, we had a clear aesthetic, a clear way of making music videos, a clear message. It was easy to take things from that goth aspect, or the sad aspect, or like, people had purple hair like Ecco had. People dressed exactly like Bladee or Sherman, or rapped like me. And I still think that I see that today. And I’m proud, and I’m happy. I don’t see it as something negative, like, shit these boys are stealing or all these rappers are stealing, it’s more like, in that case I have also stolen. Everyone has been influenced by something, and as long as you are not ashamed about that, it’s okay, because that is how it goes. People can be like, I’ve never listened to Yung Lean, And I can see that they obviously have, and like…
Music break (Unreleased Lean) Lean: We got a lot of the autotune aspect from, like Bladee and Whitearmor started using it a lot, and me and Micke (Gud) used it a lot. For us that was inspired by Future and Atlanta. And Casino and the first FBG mixtapes with young scooter and all those. Like those were using autotune. But we were from Europe, like, we are from The Knife country, Håkan Hellström, Broder Daniel (Swedish artists), it is more like Kraftwerk when we do it. It is more monotone, a bit more dead, maybe a bit more ABBA english. It is a bit more depressing I think. And that is not something you try to do, it just ends up like that. And then I think that, a mix of that, we we got big during 2013, Hip Hop went more Nihilistic, dark, it was grim. The way Chief Keef rapped, everything after Finally Rich, Bang 2, Almighty So, it was like melodies but dark mumbling about killing people. Hip Hop was going that way. You no longer had to have a hook like “Woke up in a new Ferrari”. The whole song could be the same melody.
Mats: The bored and monotone mumbling turned into an anxiety lowering melody. And a manic flow of words. Yung Lean and sad boys, deeply uninterested in conventional song structures landed in the beginning of the start of a new era. Post Hip Hops surrealistic and psychedelic era. The new era was open for people that had not belong before. People that looked and sounded like Lean. A new sound, a new way to experience and listen to music. It was perplex and fascinating. Something Sad Boys happily utilized.
Lean: Yeah, it’s true. As long as you, like for us it was the natural thing to do. For us it wasn’t that we were exploiting this style of music or what they were doing in the US. For us it was more like, I have rapped since I was a kid, same for making beats for Micke. Drain Gang had a punk band. All of us made music. And when the time came it was just logical for us to take part. Same with rapping in English, it just came naturally. I actually lived in Vietnam three years before that. My mom is a diplomat so I was in the English school and spoke English so rapping in English came naturally. That the beats were slowed down, that, like everything was a bit weird, it came naturally to us. And of course the timing was perfect, it wouldn’t have been able to come at a different time. I think I’ve said that before. That if that had happened in 2009 it would have felt fake. I would have had to be more of a Paul Wall character or like Petter (Swedish Rapper). I was very lucky with coming up during that time. But after all I was just being myself to 100%. I think that if I hadn’t been, it wouldn’t have worked out.
Music break Lean: Except for you and some others it was typically Swedish, a prime example of how it is in Sweden. A Swedish artist comes up, something they don’t recognise. They think it’s embarrassing. A Swedish sixteen year old boy from Södermalm, a middle class boy. He shouldn’t be doing this, it’s embarrassing. They wouldn’t want to touch me with a ten foot pole. He can’t be included here blah blah blah. But the second that the US started appreciating it and when he was in the New York Times or when he collaborates with Frank Ocean or other big names. Then they are ashamed of themselves. Like “Oh shit, he is Swedish, he is with us now…” It’s typical for Sweden, the law of Jante, like you shouldn’t think that you are somebody. That was basically what I witnessed since I was sixteen. It’s sad that we can’t trust each other and support everyone. I really believe that there is room for everyone to make it in Sweden.
Mats: What did it do to you, experiencing this? The Journey from hate to understanding and in the end to love.
Lean: I think that it might have been easier with hate. To be completely honest, if you look back at a lot of rappers, when they were hungry, when they were still hated or underground, they had so much to give. And I had that kind of idea in my head. That it was more exciting when Sweden hated me and I was only famous in the US. I really thought it was interesting. But I have matured now, time has passed, six seven years since we talked. The music I make now is different. If I had not been loved and was still hated, it would have been a bit perverse. Maybe then I had only been provoking just to provoke. I don’t like that. Right now I think I deserve to be where I am. I wouldn’t want to be in any other position.
Music break Mats: What happened when you got to the US for the first time, as an unlikely star?
Lean: What happened? I can’t say I remember a lot. We were very young. Suddenly we were sitting in limousines. Lots of drugs, lots of illegal substances. We were very young, you know almost like a Metallica documentary, suddenly someone is sitting there with a knife in some group or something. No but a lot of things went downhill, but all the gigs were so much fun. It was some kind of friendship, like a family. You can’t take away all the gigs and the touring we did in the start. When we arrived in the US, it’s like, you know Femi, Emilios girlfriend, that has been with us since day one. She says it’s like we were all a part of Lost. Like the airplane crashed and when we meet each other now all of us know that we were part of that. Character wise I don’t remember anything that was any special. I remember us playing at Röda Sten in Gothenburg for 150 people. And when we got to New York we sold out Webster Hall twice, back to back. And rappers were contacting us, we were hanging out with artists. It was another level of respect. I guess I’m a bit like you there. I’m a hip hop nerd, always have been. When I started expressing myself through this music it was easier for Americans to understand what the fuck I was doing than for like a 40 year old Swedish man. So there’s nothing weird about that. But I wish I remembered more from the first tours (laughing).
Music break Lean: You are sixteen, you go to the US, you are living in some hotel, you get to meet some drug dealers from Florida whom are also promoters, they have a Cadillac, and someone is backstage and lots of different rappers are coming in and suddenly Travis Scott is there and blah blah blah. Things are happening all the time. You wake up in a bed there are people around and then you have to go on stage. (Lean starts talking about something else) Is that David Lynch? Sorry we are watching a movie, we are watching Dumbo. (Back to interview) I wasn’t really ready for that. That it was going to be so much work. You don’t think that but there is so much work. Now I can do many shows. Like the last tour that I did sober I was able to do like 70-80 shows and been able to do that but you are still tired. Like you have to workout and sleep. But back then, where did all the energy come from? Including all the drugs and the shitty sleep and all partying. I don’t understand it at all.
Mats: Let’s talk some more about Florida. How was it to meet spaceghostpurrp who sort of created the foundation for what you got your inspiration from, the do it yourself attitude, punk, the south, three six mafia meets other genres in Florida. How was it to meet him?
Lean: I-I have to be completely honest. Spaceghostpurrp is insane you know. He is crazy as a human being. I think he is bipolar and doesn’t take his meds. And the people who actually met him, I met Denzel Curry, Travis Scott and some other people from raider klan, while all the rest of Sad Boys met Spaceghostpurrp. Because I had a bad comedown. So I didn’t meet him that time but our old manager was a good friend of him and he is a misunderstood legend, he really is. But the whole thing about him is like Rocky, the pretty artist and the genius ugly duckling. We both know that Asap Rocky got more famous because he is prettier and it just fit better. The picture was prettier to give to the people than that of spaceghostpurrp who was kind of wacky. But yeah I hope that everything is good with him. I have no contact and don’t know how he is doing nowadays, I don’t. But blacklander was some of the best. I remember when that was released and I was in eight or ninth grade. First I was so into MF DOOM and madvillain and then suddenly I saw a picture of Odd Future and then spaceghostpurrp came and then that was what I wanted to listen to all the time. And via spaceghostpurrp, I remember he linked a lot of good artist that I started listening to. So then came Waka Flocka.
Mats: It must have been like heaven, but as time would tell also hell. Landing in Florida.
Lean: It feels good. We were there a bit too long but it’s such a special feeling. You can go to Everglade and see alligators and you really feel all that in fort lauderdale that is it like a swamp. We recorded at a place called pink house, pink mansion. They had a lot of brick that they had thrown down so that it became pink. Rick Ross had recorded there and it’s really Florida. People run around with machetes and it’s voodoo and all of that Haiti thing. Music break
Lean: And then we were there in the pink mansion and recorded all of Warlord. It was insanely creative and it was like, I guess like when you read about Black Sabbath recording it feels like you have like a demon in you and you just make so much music and don’t realise what’s happening and yeah it ended up bad. It ended up with me at the psych ward, smashing a balcony and covering myself in the blood and the same night my manager died and then I got back to Sweden and was in convalescence, like at the psych ward. After that trip a lot of things changed in my life. I remember after a while when Hoover was released, maybe two months after. All the boys, I remember Axel and Benjamin, Bladee and Sherman was like, this might be Jonathans last video ever. And I was sure of that as well for a while. My mom helped me write a CV and I walked around with that and was thinking about working at a kindergarten.
Music break Lean: I was so fucking tired, of all that had to do with music, and all that shit.
Music break Lean: It went down like this. Barron, may his soul rest in peace, me and Benjamin and Hunter lived in an apartment that was owned by Barrons father, who’s a lawyer named Stephen Machat. Stephen was a lawyer for Ozzy Osborne, Nate Dogg and his father, Barrons grandfather, was the lawyer that cheated Leonard Cohen out of a lot of money. So it’s a lawyer family. I had started to go into psychosis, or like drug related psychosis or an overdose for some days and I wasn’t feeling any good. Barron and Hunter was out to buy some paper, paper and soda. And while that’s happening, at the same time that Barron crashes, I’m smashing this balcony without knowing what had happened. And Benjamin calls 911. I was not in the car with him and the car did not catch on fire either. He crashed into a tree. There are a lot of weird versions of that story. But I have also heard a lot of terrible things from family members and people around that were sure that I was the devil and that I had evil powers and all that. If you think about it, I was seventeen eighteen how the fuck can you put the blame on a seventeen year old. It was tough for me as well. But I have no magic powers. Unfortunately. If I had I would use them for good things.
Mats: It was the father of the manager, Stephen, that accused you of being pure evil.
Lean: I wonder why it was me that got that since he has worked with like Ozzy Osborne and have told stories about when Nate Dogg ran into his office with an AK-47.
Music break Lean: Yeah I wonder how I ended up being pure evil. But I guess there was something there, Swedish folklore with midsummer powers.
Mats: The troll syndrome or something like that?
Lean: Yeah haha, exactly, the big monster, Näcken (Water spirit) haha.
Mats: But there is something provoking about it still right?
Lean: When it is about peoples lives. I knew Barron, we were with each other every day. It is not fun to be called the Devil or pure evil when I was just seventeen and ended up at the psych ward. It’s about real peoples lifes. You can’t just call young people those things. And of course I understand that someone is scared and upset because their child died, but you can’t put the blame on people or call them things like that, it’s sick. But if it had been in a completely different scenario I would probably have been more proud of being called that. If it had to do with my music. But when it’s about real things it’s just scary.
Music break Mats: Yung Lean took drugs, dressed up as a nurse and wrote an unreadable book about his life. Everything got out of control around the making of the dark album Warlord. Where Sweden and Florida in songs like the Billy Bragg sampled song Miami Ultras. Yung Lean took an overdose, experienced psychosis and ended up at a mental hospital. At the same time he lost his American manager in a car accident. Barrons father, the well known show business lawyer with ambitions to reach the American senate put the blame on Yung Lean. He planned to release an unfinished version of Warlord. Back in Sweden, Sad Boys could see how a version of the album had leaked.
Lean: Yeah shit I remember that. Yung Sherman was celebrating his birthday and we were out bowling, or maybe it was his old girlfriend who was celebrated and suddenly everyone was on their phone like shit, Stephen has released it all. Directly on band camp connected to his account. Unfinished versions of the songs, the song names were wrong. We had been working on that album since we got back home, it was all we had. Leaks can be the worst things. If you have been quiet for so long and so much has happened and you just want to release Warlord the right way, with the correct videos and artwork and then something like that happens. It’s like a fucking punch to your face. We lost a lot of hope that day.
Music break Lean: I think that the most crazy, for me, was a while ago, the had been at Fort Lauderdale at a large fair and I had bought a costume that was made for nurses and I wore that all the time. We were going to a hotel with an artist and he was buying weed from a stripper. And when we are at this hotel a man in there is arguing with the workers there and he has a large entourage and I recognise the voice. I’m like it’s Jim Jones, Jim Jones from dipset. I did not realise It by then but I had started living a little in my own world. I was begging to enter the psychosis. I was wearing the nurse outfit and took a picture with Jim Jones and we talk for a while. When I have looked at that picture years later I’ve been like what the fuck is this shit.
Music break Lean: Who was it, I think it was The Who, who met in a clothing store, and a guy was like you should make music. And then they made music. And it kinda felt that way, like yeah you guys should make this music.
Music break Lean: Sad rap, haha. Sad rap is quite a sickening term. It shouldn’t exist. We don’t make sad music. When you start going into the dark water you just want to go deeper and deeper. And you can only get back up when you are really hit by the waves. It was a mixture of destructivity, teenage anxiousness, and yeah, just how I felt back then.
Music break Mats: What for some appeared like a smart joke in the beginning, and for others like INAUDIBLE (he speaks danish accent Swedish) entertainment had in the middle of the 20th century attracted a dedicated fan base in the US. Something that no Swedish rapper had dreamt about. Yung Lean saw the opportunity to create surrealistic art and shabby rap. And history was written when Yung Lean was the first swede to enter the top 40 American R&B list. A list whose history goes back to Harlem Hit parade, 1942, where leaders like Louis Jordan and Lionel Hampton ruled. Yung Leans Unknown Memory entered at 36th place on the album list, right above Kanye West and under Migos. It was October 2014.
Lean: It sounds like a lot of fun now that you say it but the most fun was just if the songs and the album were great for me, like it goes so far. Prices and stuff comes but it’s so temporary compared to creating it, what you have gone through to create the music.
Mats: Yung Lean was a a part of the drug cult. The cough syrup drinking and pill popping that defined a depressed generation. Lil Peep with Swedish roots had just started building his emo vision, related (musically) to Yung Lean, and Juice WRLD stopped breathing after just a couple of albums.
Lean: The death that affected me the most among those is a person that I didn’t know that well. But it was when I met Fredo Santana and we were in the studio. Me, Fredo, Axel and some of his boys. He was the kindest. We were listening to get rich or die trying and made a song together. He was a really good guy. And the day after I got a message that he was dead. It’s not more than that. In the US and in Sweden. I have friends that have died from benzodiazepines in Sweden as well. I think that it has a lot to do with, like lean, it goes hand in hand with the sales. Lean, Codeine. First Actavis, and then it gets so expensive and after a while completely banned. Then people start drinking red, and it costs like a thousand dollars a pint. You can’t pay that much unless you are a rapper. If you are a rapper you get special prizes. And then you want to get cheaper stuff, you want to take the same things as the rappers you look up to. I guess that once everything was very weird. Around 2013-2014, there was ILoveMakonnen there was, like mushrooms and that stuff. Before it was all opioid based with Percocets.
Music break Lean: It felt like, I don’t want to be that guy but, the music often gets very interesting when people are trying different stuff. I think that’s the sad reality. Maybe not with my music. I feel as I can create more when I’m sober. I have tried most of the drugs so if I feel I want to channel some type of drug I can go back in my memories to get the feeling if I want to sound a special way. If you think about like Young Thug when he made I came from nothing, you could hear he was all fucked up. You can’t do that sober. Gucci Mane is also an example. But now Gucci mane is also an example because now he’s skinny, he looks good, he has a great body, he has his wife, I wanna give him that. I don’t want him to be fat and have a codeine belly, be constipated and on the brink of dying all the time. I want him to look like he does now. I will sacrifice the music for that. His music is not good any more. But fuck that I can listen to the old songs. I’d rather have him healthy. And with Future as well. That he is afraid of going public with having quit lean because his fans wouldn’t trust him no more. That’s sad. But the music is explosive now. There is more hip hop being created now than ever before. It used to be kind of a mainstream genre with Lil Wayne and people thought it was a joke and the underground stuff was much cooler. But hip hop now, the biggest artists, it is the most experimental genre right now. It is more experimental than experimental indie pop. They use more drugs than those who do experimental jazz. It is weirder than punk. It is the weirdest there is right now. And people just have to live with that. That so many people die on the way doesn’t have to be a part of that. It could continue to be this special without people dying.
Music break Lean: Much of the trap you listened to in the beginning was like, more voices, almost choirs, Siberian choirs. Gucci Manes adlibs are louder than the main track. One of Chief Keefs biggest hits, Citgo, you can’t even hear the instrumental. There’s like six different layers of “smoking on the gas, gas citgo citgo”. It’s amazing. It’s weirder than anything else and I think I saw it from my own perspective. For me, all the elements of hip hop ant trap, and the clothing, has been art. And my way of expressing myself, minimalistic, if it’s with an iPhone camera or if I get to direct a whole video, it will always be done my way. It’s a mix of movies I’ve seen, experiences I’ve had, colours I think about that day. I think that this timing. Luck doesn’t exist to put it that way. If I am allowed to leave it at that. Haha.
Music break Mats: When you got back to Sweden from Florida. Your dad picked you up right?
Lean: Yeah, I think both my parents were at the airport. You mean that my dad came to Florida and I walked around the mental hospital and I called my dad the king of California, because I didn’t recognise him. I just told him several times, “Are you the king of California?”. He became quite sad, but he has also been able to joke about it a lot now. There was one story that was quite scary actually. I kept saying that there was a doctor that was coming in and fucking things up for me. He was threatening me that I was gonna go to juvie and things like that, threatening me. And my dad asked me what the doctor looked like and I explained it to him. And he was like, that is not a doctor, it’s the guy who comes in to clean. He just came in to provoke me. And I was told that months later. It was quite scary. I have actually been at the psych ward in Sweden as well, much longer than in the US. 2017 I was at Danderyds (place outside of stockholm) closed section for a month. For psychosis as well, but not drug induced. But I have been sober now for two almost three years. I work out, I do boxing. I’m really happy and I’m more creative than ever. I think that everything that we’ve been talking about, me being a part of drug culture. Kids that say like, Yung Lean, I smoked my first joint for you, I took my first E for you. They would have done it to someone else’s music as well. I promise that. I’ve never pushed anyone to do drugs, I promise. I’ve just told it how it is, from my perspective. And you can do exactly the same thing and be sober as well. It is as much fun if not more fun. If I go out to club now, I can be out all night, I don’t get tired. I have much better relations now with everyone around me. I’m just a happier person. I think it’s much more fun for me to do this interview now compared to last time.
(They put in a clip from the interview they did way back)
Lean: It sucks to be in school but that’s also a way to be down to earth and not feel so like I’m so fucking special, which I’m not. In a way it’s nice to be in school. Like, I’m no superstar. I have a normal life. It’s nice to live out my teenage life before something crazy happens.
Mats: How old are you right now?
Lean: I turn eighteen this summer.
(Back to the interview again)
I was at the Mount Sinai (Medical Centre) in Miami. And I found out Avicii was also there when I watched his documentary. And when at the hospital in Danderyd. It was very nice I must say. I was fucked up, completely manic, but it was a very nice place. Big up to the Swedish health care. That they put up with all the people there.
Music break. Lean: Those hours. All the people who are there, who try to break out, or try to commit suicide, or are screaming. You are laying there and you hear screams all night. It’s like being in a nightmare 24/7, plus that your own head is a nightmare 24/7. I had plans of escaping, I had a map of the hospital that I took a copy of and hid under my pillow. It was like One flew over the cuckoo's nest. You walk around there.
Mats: Do you remember when you started making music after all this? The first attempts at getting back there musically.
Lean: I was still a bit manic and when I was allowed to leave for some hours I chose to go to the studio. So I was driven to the studio from Danderyds hospital. I recorded six songs and then had to go back. When I finally left and was convalescent and quite low because of all the medication I just chose to never listen to those songs)
Music break (Lean starting singing I’d rather go blind by Etta James)
Lean: I have no idea what I’m talking about there. I don’t really want to know. I just remember that I made a listen to your heart cover and I made a version of Etta James song because I had listened to that so much when I was at the hospital.
Music break (Lean continue to sing I’d rather go blind by Etta James)
Lean: In the beginning you just try. You are like Bambi on the ice, trembling. But then I finished Stranger. We had made that album before I ended up at the hospital. Me and Micke finished it in the studio and then Whitearmor and I did our own tape. We went out to Mariefred where a guy named Pontus has a studio. He produced Britney Spears Toxic. And there we were making Poison Ivy. It felt very nice to just clear my head and the music turned out great. Those days were nice.
Music break Mats: (talking about the upcoming album)
The adventure continues. The new album that follows up the anxiety filled milestone, Stranger, is punky millennium R&B, that can only be made by Yung Lean.
Lean: It’s everywhere. Some of the songs are almost like ballads and some are more to the classical witch house, others sound like some, you know SVT Play (Swedish national TV) intro with piano haha, it’s everywhere. But I’m very inspired by The Stooges, I wanna be your dog. That song, and R&B.
Music break Mats: Jonathan spend the first time of his childhood in Belarus.
Lean: You know you have some fake memories. You have a picture of an apartment. But I have one memory that I’ve been told so many times that It’s like I can see it. It’s when I was at kindergarten and my dad comes to pick me up. He asks for me and I’m not with the other kids. I had been bad so I was put in the corner with a large cone on my head. My dad walks over there and since he is Swedish he gets super mad and wanted me to quit going there. My mom was calmer and explained that that’s what they do, nothing weird about that, just some discipline. My mom is grown up in Soviet you know and went to a Russian school. Two different worlds. But I have lots of nice memories from there. I went to a school theatre and danced in snow and that stuff. I must have been a Pinocchio, somewhere around there I turned into a donkey. The cigar came. (Referring to
https://www.youtube.com/watch?v=fCBjfgXg8A4) I had a very nice childhood, middle class, Södermalm. My dad’s a writer, raised in Söder as well. My moms raised in Russia, she’s a real boss. She has had a crazy life. One time she told me that she was a cleaner at an embassy, and that one day she would be in those rooms. Now she is becoming an ambassador in Albania. She has worked her way up. I’m very proud of her. We lived in Söder. I have been to a lot of schools, Södermalmskolan, Gamla Maria, Katarina Norra, Kärrtorp…
Music break Lean: When I got back to Sweden from Belarus I started going to a kindergarten. It is one of my first memories. I was still speaking Russian and I so badly wanted to be understood. I walked around speaking in Russian Swedish, can I have milk and bread, can I have milk and bread. I really wanted to learn Swedish so I forbid my parents to speak Russian with me. That was very stupid, I really wish I hadn’t said that. I wish I had learnt Russian as well. Music came into my life early. It was what made my life fun. It was always my thing and what I was good at. I think I said that last time we talked. When I was young I got a little bit famous with a song called Söder Söder. I was opening for Adam Tensta (Swedish rapper) when I was in fourth grade. Then I made a mixtape with a friend during a summer, and I made a lot of music with my sister. I dressed up and put on makeup. Went to school and listened to Green Day. You know, you wanted to, I basically dressed up the way I do today. I did the same thing back then as I do now. The only difference is that I make money now.
I think that they were worried a lot. I guess the drug aspect of it. When you get so interested in things, those things comes with it. When I was I seventh grade I was caught with some weed, petty shit, and yeah they were worried about all that. But in the end they have been very proud and they will come tonight to my show. They have been to so many of my shows and they are very proud. If I make a good song I want to show it to my mom. If she likes it then it will be released. Same with my dad. I don’t know if they understood if they that there was always something extra or something special that I wanted to do. I guess you will have to ask them about that. But I know that they are proud.
Music break Lean: I think it’s so much fun. That I’m Swedish and that there are not that many Swedes that like me. I means that I’ve made it. I remember when I went out to eat with my mom, she had got us Indian food, I told her that I had gotten a gig in Gothenburg. And she asked like for who, for yourself or what? She was just laughing at me. I had to convince her, showing the event. And she asked like, Yung Lean, is that you? And I showed her videos and she still didn’t get it. I finally had to call Emilio on speaker and have him explain it to her. My dad didn’t get any of it either. It was quite tough because someone had written an article where it said that I was the son of Kristoffer Leandoer, the horror writer. He was so mad, I came home from school and he was furious. He was like “What’s all this? My name, and this song, greygoose?”. But afterwards when he understood it he was proud. But no one ever understood how big it was. I was at my room all the time. We remade the basement into a small studio and I was always there. I was smart with that shit. I got like Lofty 305 and people from Miami and small underground people that I kept sending my songs to. I just sat home and we had this Tumblr that Axel created and we were like dolphins, we communicated directly to the fans, even if I had like 3 fans, and suddenly I had ten thousand fans, and we still communicated directly to them. They got to know all about us. They knew exactly what we were doing.
Music break (Again a clip from the older interview when Lean was seventeen)
Lean: I do not claim that I do all the things I sing about in my songs. I’ve never said that. That would be completely crazy. I wouldn’t be a good seventeen year old then. It would be insane. But I guess you should believe that Yung Lean doesn’t exist. That he is just some fucking seventeen year old that’s completely crazy, and then the real me comes in and say things and have real emotions and real lyrics. I guess the mix between those things are Yung Lean, that’s what Sad boys are. The mix of what’s real and what’s not. That’s what the listeners have to think about themselves, and decide what they want to believe and now. And what they like, is it the music or the person.
Mats: And it is when you balance that where everything becomes interesting.
Lean: It’s exactly that. And it’s so nice because you get to do that, while really you are not allowed to do it, it’s completely wrong, but if you really want to do it, do it, and then you do it. Everything that’s written should have to be thought of several times, nothing should be just straight forward. I get it, that’s good, now I won’t listen to it again. That’s no good. If it’s an album or a song where you get everything there’s no fun in it. It’s like watching a bad film. You want to see something that leaves an impression. It’s much more fun that people talk about me. Rather than that they just say like he’s such a good rapper. It’s not like I’m trying to be a weird rapper, I guess that what I feel like doing, that’s real. I make things from myself. I don’t rap about these crazy things because I want to be like that or because I want to build up an image. I do it because it’s what I feel like doing. I do it because it’s what I want.
Music break (Back to the new interview again)
Lean: I remember Charlie XCX saying that her and Robyn had been in the studio and she had shown her Ginseng strip and they had been like turn it off, turn it off. They hated it. And then some days passed and both of them had listened to it by themselves. And when they came back to the studio the just kept on listening to it. It’s like you have to hate it at first. It’s so provocative. Like he looks this way, or it’s so honest, or it’s just something. It’s too close, or I don’t know. Like it’s still a meme on all my YouTube videos. Listened first time, hated it, listened tenth time, my favourite song. It’s the Yung Lean effect.
Music break Lean: I would love to make film when I get older. I would like to make film of greek tales. There is a tale of a man called Geryon, he is completely red and has a red dog and lives on a red island. He is killed by Hercules. I would like to make a film about that but more of a psychological thriller. Kinda like pusher, Snabba Cash (Swedish movie) meets Greek mythology.
Mats: You have the John Ausonius (Swedish serial killer) project, you are drawn to darkness.
Lean: Yeah, yes I do. It’s natural and not at all an image. I remember my dad joking about that when I was small. I always wanted the orchs to win in the lord of the rings, and that Voldemort was much cooler than Harry Potter. I think it’s quite simple psychology really. That it’s just more interesting. If I had a history of real darkness. Like growing up in war or torture. I think I would be very interested in happy stuff. But now I am not. You are attracted to what you are not from, where you don’t think you belong. But where I am is where I belong the best. I am privileged where I do not belong any more. I think everyone wants to find a world where they don’t naturally belong. For me that has been music. No one in my family had anything to do with music. No one has been a rapper. I have always felt at home in front on a microphone.
Mats: When you found the darkness in Florida and managed to get out of it, was it mission completed?
Lean: I don’t know if it was mission completed really. Barron died so I would want to take back a lot of what happened there. I think I had the darkness within me before that. It is inside of you.
Hello there! Just a open and hopeful post looking for some assistance from anyone friendly!
I'm a 25 year old (female) Croatian graphic designer still quite fresh in Melbourne. I'm basically looking for ANY help or advice with finding a job for myself.
EXPERIENCE: I have solid experience with retail work from being in a bookstore and learning how to manage and deal with people, experience working as a croupier in a european casino, and my education and practice as a graphic designer in both digital and traditional media. In short my skills there would be Photoshop and InDesign, designing visual promo materials, painting with various traditional media like acrylics, calligraphy, bookbinding etc.. INFO: I just moved to Melbourne with my partner in January, and for the last several months I have been searching for a job with no luck.
I am regularly searching using SEEK and Indeed website, sending out CV's and cover letters, both which I have run by more experienced friends to maximize my chances. I have applied right away at the Crown Casino but they are giving me grief that they cannot hire me due to my visa, as they are only hiring permanent residents. (I am on a 309 partner visa, which lasts 2 years and then just transforms into a permanent one if nothing has changed between us).
I am considering almost any kind of work right now, retail, sales (unfortunately I just seem not to be cut out for door to door work as I have tried it, and they heavily exploit anyway), hospitality (looking to finish the courses to get several certificates for that right now), anything in the way of graphic or illustration work, painting etc ( I can show examples of my works, and yes I AM taking commisions for artwork, tattoo design etc), even phyisical work if I am capable of doing it (I am 5 foot tall and definitely no super strong grunt unfortunately).
Any help would be welcome, places you know that are hiring, extra places and ways to search/apply for work, or even just some art commissions would be great!
Thanks in advance for any help!
submitted by Land required to feed 1 person for 1 year: A Strictly Plant Based Diet: 1/6th acre Vegetarian: 3x as much as a plant based diet. Meat Eater: 18x as much as a plant based diet.
Desire, to re-wild the the planet, Civilized man, domesticated animal slaves and those who have been assimilated, NOW make up 98% of the bio-mass, and just 2% are "wild" or free living, thats a colonization of Earth!
WORLD DOMINATION HAS ALL READY HAPPENED !
My name is Kerry Redwood Atjecoutay, I am from Ka-wezauce “Little Boy First Nation (cowessess Saskatchewan Canada) Saulteaux/Cree of the Ojibwa Nation a descendant of the Anishinabek.
First, I am a human animal dedicated to defending the Earth-Animal and their Natural Reality.
I reject the commodification of animals and I will not use them for food, clothing, entertainment or any other purpose that would compromise their dignity, health and freedom.
"We don't want from your civilization, We want to live as our fathers did and there mothers before them" Tashunta Witko (Crazy Horse)
I have been a vegetarian for 7 years now and just recently moved to a strictly Plant-Based diet as of may 31 2013, this move to me shows and proves my love, my alliance and my dedication to the cause and the struggle, as well as the conflict that Nature is having with the civilized world, the civilized, who at this time are acting like a virus, to satisfy their greed-notion, a mindless ravaging of the Earth.
My life consists of these activities:
Advocating the issues of the free living tribal peoples and the Animal condition, such as, Awareness, Liberation and Protection.
SPORTS COMBAT: Southeast Asian Boxing for example, Muay Thai as well as Judo-Jujitsu, Close-Combat, Mixed Martial Arts.
Strategic resistance and defense against oppressive governments, corporations and other racist and speciesist institution that have been established by invader-cultures. And the practice of tribal life ways of the past, and natural organic vegetable farming, Bush-craft or Wilderness Survival, for me it would be a coexistence with nature, not survival, survival suggest a struggle with nature so I desire a new Paleolithic lifestyle.
Sober and coherent for the revolution:
Living a clean lifestyle without drugs alcohol tobacco or marijuana and factory farmed animal flesh or any animal products, (I absolutely refuse to eat the domesticated animal, it is an unnatural source of nutrition)
Artist
I am an Abstract painter and have worked at this for most of my life, I am only pretending to be a writer. English is not my language, I have struggled with it for most of my life, I started school late on my reservation and didn't learn to read or write very well till I was around 10 or 11 years old, and still, it was very difficult for me and still is, If life would have been normal, normal according to my people, there would have been no reason for me to speak english, but this was not the case, we were invaded and then colonized, the dominate culture attempted to exterminate my people, resulting in a genocide, that is not acknowledge as a genocide, but certainly looked at as an inconvenience to a more progressive and superior race.
My Artist CV is my reward !
http://kerryredatjecoutay.tumblr.com/art.atjecoutay I have 30 years in mixed-media and abstract expressionism, and I still cant color inside the eFFen lines. I could Dazzle you with Deception or Phuck you with Fertilizer, but laying out my artistic history has come to mean absolutely nothing to me.
I have had to many art gallery openings and "car salesmen" my work and murals to other artists, individuals, politicians, companies, casinos and non-profits.
Concerning how I have prostituted my self in the past for the paper tokens of commerce, I could justify or glorify the pretentious wonders of being and artist but I have come to realize that being an artist is nothing more then a Jester to its King.
If you would like to "assume" one of my paintings, then just try to get in touch with me?
www.facebook.com/AKAtjecoutay.artist.studio Unrecognized genocide;
Simply because we survived the onslaught and then having to conform, to institutionalized racism, in schools, work force and Euro - American / Canadian society in general, our unfortunate situation is now look at as an ethnocide, to ease the consciousness of those who now occupy the lands of the indigenous people of what is now north America, and this, what I write, here and now, is putting it lightly!
I SUFFER FROM AN INSIGHTFUL-CYNICAL AND DARK HUMOR OF THE CIVILIZED WORLD.
A small roundish juicy fruit without a stone...
Over the past 500 years, the Indigenous peoples have managed to resist and survive the civilizing process but much has been lost. Now we must rebuild our memory and determine on what basis we will build our future. The Plant-Based Native is a contemporary and Neo-Waabanoo experience (A Contrary) and does not purport to represent a trible tradition in stone. It is a declaration of war based on the order imposed upon us by the dominant cultures of which I deny the right to validate my understanding of the current world around us
STOP TELLING LIES ABOUT HOW LIBERATING YOUR POLITICAL MOVEMENT IS, AND I WILL STOP TELLING THE TRUTH ABOUT YOUR FACTORY FARMED MEAT CONSUMPTION !
EARTH-Animal First.
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